r u r a l r e c r e a t i o n

access: environment: inclusion

extreme croquet

play promenade

The regeneration of Ilfracombe seafront has presented some unique opportunities to support the creation of a new type of seaside playground. Working with North Devon District Council, Perfect Moment, Gillespies landscape architects and Workhouse Design architects we have put forward new ideas for this landscape of leisure, a virtual and physical playing of the coast.

In addition this area includes the Landmark Theatre and Ilfracombe Museum, proposed together as a new cultural centre which includes a new visual arts space where it is hoped both existing organisations will come together to jointly programme exhibitions. The combining of these two specialisms of heritage and performance on one site also represents a unique opportunity to foster interdisciplinary working between them, something which will be explored as part of the public art strategy as offering the potential for new understandings of history, place and public participation.

The project builds on the Victorian character of Ilfracombe. The Victorians themselves were responsible for the popularisation of many outdoor games and sports, football, cricket, tennis and golf for instance. On a smaller scale lawn games became popular such as mini golf, bowls and croquet. These pastimes became part of the culture of their seaside resorts, keeping visitors occupied and amused by providing municipal playing areas for those that could not afford their own facilities. This was also, in part, an element of the seaside resort as a “health centre” where play and sport encouraged gentle exercise and complemented sea bathing and swimming.

In contrast contemporary public spaces often discourage play, marginalising it to designated spaces like playgrounds and skate parks. At the seaside however there traditionally has been, and still is, a licence for all of us, young, old and in between to play again , whether this is at the amusements, on the rollercoaster or on the beach. On the more serious side play in public spaces remains an important part of a healthy society. For example the Commission for the Built Environment states in their new play strategy:

“Spending time in public spaces is a way for children to learn about the world around them and the people who live in it. Well-designed public spaces can also help children to stay healthy and tackle obesity by providing opportunities for exercise…Involving children and young people in public space design projects fosters a sense of responsibility and ownership which can reduce anti-social behaviour.”

The redevelopment of Ilfracombe seafront therefore represents a significant opportunity to create an intergenerational public space where the needs of children are combined with the “grown-up” play spaces of a holiday resort. This is particularly true as the seafront also acts as the local park for many residents, a place to kick a ball, throw a Frisbee. Free activity like this, as opposed to activity that is paid for, is a crucial part of fostering a wider sense of social inclusion.


golf


the golf of Ilfracombe

   
    
Sometimes small interventions in the public realm can make a big difference, we propose that that Ilfracombe is the first place in the whole of the UK, if not the world, to have both a extreme golf and croquet course spanning the seafront.

Extreme (or freestyle) golfers use a leather ball stuffed with goose feathers which means nothing gets damaged. A leather ball goes only half the distance of a normal ball, it does not carry when it hits the ground and will sit in the middle of the road rather than running into the gutter.  The best thing is that because the ball is forgiving, there's less chance of hooking or slicing it. 

Freestyle golf could be facilitated very easily by providing holes around the seafront which could be capped when not in use. Play would be encouraged in the off season when less people are around to avoid any conflict.

Freestyle croquet is less common in the UK but in America “extreme croquet” clubs (eg the Connecticut Extreme Croquet Society) have been set up for people who play over all sorts of terrain. An extreme croquet game is set up according to the "British" figure-eight standard but deviates to take best advantage of the location. Play proceeds following the usual croquet rules, with alterations generally designed to handle circumstances not found in the garden game.

As with the freestyle golf course a croquet course could easily be designed into exiting landscape features, for instance hoops could be designed into the legs of benches.  A major point in favour of this project is that costs are negligible for a feature which would be absolutely unique in the United Kingdom. If the work on the seafront was successful the course could also go up into town, also reinforcingnew town trails and digital vaudeville.


digital vaudeville

   

vaudeville posters pda interface for digital trails

In Fribourg in Switzerland they have e developed a 9 or 18 hole urban golf course which also guides you through the old town – The Fribourg Tourism Office website states: “Combine sport and fun and discover the history of one of the most beautiful medieval towns of Switzerland.”

Digital Vaudeville overlaps this as a series of digital art commissions and community projects which located at the golf holes. Vaudeville, the well known American term for a tradition of European variety theatre stretches back before 1800 in which theatre goers could enjoy a performance of Shakespeare, acrobats, singers, presentations of dance, and comedy all in the same evening. 

As a mass entertainment it marked the beginning of popular entertainment as big business, dependent on the organisational efforts of a growing number of white-collar workers and the increased leisure time, spending power, and changing tastes of an urban middle class audience. Business savvy showmen utilised improved transportation and communication technologies, creating and controlling networks of theatre circuits standardising, professionalising, and institutionalising popular entertainment.

Digital Vaudeville links together the performance specialism of the Landmark theatre and the eclectic mix of subjects found in Ilfracombe museum.